Why should I work with a distributor? - Working with a distributor like Tiny Scripted helps maximize your project's potential by leveraging industry expertise, relationships, and resources. Distributors manage the complex aspects of licensing, marketing, and platform negotiations, allowing creators to focus on their craft. Tiny Scripted provides personalized strategies to promote and monetize your work effectively, ensuring it reaches its intended audience.

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​​SUBMISSIONS​

How can I submit my work to Tiny Scripted? - You can submit your completed work through the submissions form via the On Screen or On Stage pages

Are there specific genres or formats you prefer? - Tiny Scripted focuses specifically on short-form scripted content for stage and screen, but we are open to all genres. Submissions for plays and films must be finalized and ready for licensing.

 

Will Tiny Scripted guarantee placement of my work? - While Tiny Scripted makes every effort to secure licensing and distribution opportunities, placement with specific platforms or theatres cannot be guaranteed.

What makes something a "Short Film"? - A short film is generally under 40 minutes in runtime, including credits. These films often focus on a single idea or storyline, but that is not a rule.
 
What is a "Short Play"? - A short play typically runs 30 minutes or less, although some definitions extend to an hour. These plays are often performed without intermission. 
 
Do you provide feedback on submissions? - While we strive to review all submissions carefully, we cannot guarantee personalized feedback for every project.
 
What happens after I submit my work? - Our team will review your submission. If it aligns with our catalog and strategy, we will contact you to discuss next steps.

The general flow goes like this - 1. Submit Title >> 2. Offer / Deal Memo (If selected) >> 3. Long-Form Agreement >> 4. Onboarding of Assets and Materials >> 5. Announcement and Release >> 6. Distribution/Sales to Licensees

 

MONEY​

Do you charge for submissions? - No, Tiny Scripted does not charge any fees for submissions. Creators will never pay Tiny Scripted; we get paid when you get paid.
 

What is the Distribution Fee? - Tiny Scripted retains a percentage of the gross receipts from licensing and distribution.

- Stage:10% for professional productions & 20% for amateur productions

- Screen: 30% for all gross receipts
 

What are "Distribution Expenses," and how do they affect my earnings? - Distribution Expenses are reasonable, actual, and verifiable costs incurred during the marketing, advertising, and promotion of your work. These expenses are deducted from gross receipts before calculating your share.

 

When will I get paid? - You will receive payments quarterly, provided the amount due exceeds $250. If the amount is below this threshold, it will roll over to the next quarter.

 

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AGREEMENTS​

What is a Deal Memo?- A Deal Memo is a preliminary agreement outlining the key terms of the distribution arrangement between you and Tiny Scripted. It serves as a summary of the essential points, which will later be formalized in a long-form agreement.

 

What is the difference between a Deal Memo and a Long-Form Agreement?  - The Deal Memo is a high-level document summarizing the terms of our arrangement. The Long-Form Agreement provides detailed legal and operational clauses governing the relationship, including rights, obligations, and contingencies.
 

Why do you require exclusive rights as a distributor? - Exclusive rights ensure that Tiny Scripted can effectively market and distribute your content without competition from other distributors. This focus helps maximize the revenue and exposure for your work.

 

What rights am I granting to Tiny Scripted? - Depending on the type of agreement (film or theatre), you grant exclusive rights to distribute your work via specified media channels and territories. These could include:

- Film: Rights for AVOD, SVOD, FAST, theatrical exhibition, and more.

- Theatre: Stock and amateur production rights.
 

Can I exploit other rights for my work? - Yes, any rights not explicitly granted to Tiny Scripted remain yours to exploit, such as publication rights for stage plays unless otherwise stated in the agreement.

 

How long does the agreement last? - The initial term is five years, with automatic renewal unless terminated with a 90-day notice. For sublicenses with fixed terms, the agreement extends until those licenses expire.

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Can I terminate the agreement? - Yes, either party can terminate the agreement for material breaches if not remedied within the specified cure period. Additionally, termination is possible with notice under certain conditions outlined in the agreement.

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Can I use my work for self-promotion? - Yes, you are encouraged to use approved stills, press materials, and links for self-promotion. However, public announcements related to the agreement must be pre-approved by Tiny Scripted.

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ASSETS / MATERIALS​​

What assets/materials do I need to provide? - The specific delivery requirements vary but generally include:

- Film: High-quality video masters, metadata, artwork, and closed captions.

- Theatre: Editable scripts, character lists, synopsis, and production history.

 

Who covers the cost of preparing the delivery materials? - The Licensor (you) is responsible for any costs associated with preparing and delivering the required materials to Tiny Scripted; Tiny Scripted manages the cost associated of delivering them to 3rd Party Licensees.

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DEFINITIONS OF RIGHTS
Stage
- Amateur Rights in Theatre: Licensing for non-professional productions, such as community theatre groups, schools, or amateur organizations.
- Stock (Professional) Rights in Theatre: Licensing for professional productions, such as those under Equity contracts or at regional theatres.

 
Screen

- Airline and Ship Exploitation: Distribution on flights and cruises.

- AVOD (Advertising-Based Video on Demand): Free content supported by advertisements (e.g., YouTube, Peacock Free).

- Digital Merchandise Rights: Selling or distributing digital assets like artwork or trailers, sometimes as NFTs.

- Educational and Library Streaming: Distribution to academic and library institutions for educational purposes.

- EST (Electronic Sell-Through): Permanent digital purchase by the consumer (e.g., iTunes movie downloads).

- FAST (Free Ad-Supported Streaming Television): Linear streaming channels supported by advertisements (e.g., Pluto TV, Tubi).

- Linear Television: Programming determined by a fixed schedule on traditional broadcast or cable channels.

- Non-Theatrical Exhibition: Screening in venues like schools, libraries, or corporate events.

- Soundtrack Exploitation: Creation and sale of soundtracks related to the content.

- SVOD (Subscription Video on Demand): Subscription-based content access (e.g., Netflix, Hulu).

- Theatrical Exhibition: Screening in traditional cinemas or film festivals.

- TVOD (Transactional Video on Demand): Content is available for rent or purchase, where viewers pay per transaction (e.g., Amazon Prime Video rentals).